Wabi sabi acknowledges three things: “nothing is perfect, nothing lasts, and nothing is finished.” So, at first glance, it seems to celebrate the very thing that causes suffering. Yet, Basho found that wabi sabi led to enlightenment. So what is going on here? Basho himself studied Zen for several years and traveled in disguise as a Zen priest, yet he clearly became attached to people and places, wept openly beside ancient battlegrounds and other sites of romance or valor. He suffered gladly the pains of attachment and sympathy, identified with nature and its pathos. Either he was not very disciplined in his Buddhist practice, or he understood something about attachment and loss that we could do well to learn.

The definition of the Japanese words wabi sabi has changed over the years. At one time when the Japanese language was young, wabi meant “poverty,” and sabi meant “loneliness.” During the first major flowering of Japanese culture, “wabi” came to refer to the ideal hermit's life, lived in contemplation of nature and appreciation of the spiritual and aesthetic values underlying a solitary existence. His was a wabi way. The Japanese tea masters of the fifteenth and sixteenth centuries developed a wabi style of tea ceremony as an alternative to the ornate and ostentatious ceremony in which the aristocracy would show off their valuable tea objects and forge political alliances. “Sabi” was refined over the years to emphasize a state of receptivity, fostered in remote natural settings. This positive aloneness was joined to the wabi appreciation of the understated and unrefined to form a phrase with deep resonance for the contemplative mind. People would dream of living in simple enlightened appreciation of nature.