A Civil Campaign opens where Komarr ends, with Miles determined to court Ekaterin. Unfortunately, his approach is described as "General Romeo Vorkosigan, the one-man strike force." By his father. The potential for comic disaster increases when Miles's clone brother Mark arrives. He's brought a brilliant but scatterbrained scientist who's created a bug producing a perfect food: bug butter. They set up a lab in the basement of Vorkosigan House. Mark has also found a nice Barrayaran girl--she even likes the bugs--with whom he got together on the sexually liberated world of Beta. But now Kareen's living at home. Naturally, disaster strikes, repeatedly and on all fronts.
Bujold unfolds her comedy of manners while continuing to explore familiar themes: the difficulties in becoming a strong adult woman in a patriarchy, the need for trust and honesty in relationships between the sexes, the difference between appearance and identity, and the impact of advanced biotechnologies on society. A Civil Campaign is a sure-fire Hugo and Nebula nominee, likely to add another statue to Bujold's already full shelf. It's charming, touching, and quite funny too. --Nona Vero
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Reputation is what other people know about you. Honor is what you know about yourself.










Source: A Civil Campaign
Contributed by: Jennifer.
If power was an illusion, wasn't weakness necessarily one also?